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Scanning: The Aberrant Architectures of Diller + Scofidio was a retrospective exhibition that brought together diverse large-scale works on the fourth floor of the Whitney Museum of American Art. A retrospective—an invention of modern museums—assembles disparate projects into a single “body” of work in order to present a cohesive overview of an artist’s creative development. But the projects exhibited in Scanning were site-specific and had been conceived at different times and places, commissioned by various institutional clients. Consequently, they resisted the cohesion and homogenizing effect of a retrospective. The show thus served as the pretext for a new work about walls, galleries, and the neutrality of the white cube.
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